July was a bit of a shit month for new music. Well, new music that I like anyway. But it was a bit of a shit month overall. Who am I kidding, are any months in 2020 "good"? If I'm being honest, 2020 has been a big kick in the dick for me. I started the year getting fired on my first day back to work. It was nice of them to give me Christmas and New Year with the imagined security of a job. I soon got another job, one that hasn't seen me reduced to tears with stress. But no sooner had I got my new seat warm (metaphorically speaking, it's predominantly remote) than we saw a global pandemic that put us into the lockdown that we've all been trying to adapt to and cope with. July has given us more political incompetence than you can wave a shitty stick at, and the crazy thing is that this probably applies to whatever country you are in right now! It's given us American wildfires and a continuation of conflict between India and China. It's given us riots and...
I don't know why, but the UK isn't really a place I would instantly associate with black metal. Yes, I know about Venom. I know they exist thank you. I'm also somewhat familiar with others; Cradle of Filth, Winterfylleth, Akercocke, Anaal Nathrakh, The Meads of Asphodel, and a few others. It still feels like a very small scene with few established acts. With this third album being released by 20 Buck Spin, we absolutely need to add Wode to that list. If you already had Wode up there as one of the best black metal acts to come out of the UK, then you probably think you know exactly what to expect. Shit, you've probably pre-ordered the vinyl and tell everyone you saw them playing a pub in Machester in 2016 before the first album came out. Nerd. You're also probably wrong. Burn In Many Mirrors is still recognisable as a work of Wode, but feels a lot like a band getting comfortable enough in their leather jackets that they can start adding less kvlt patches and showing ...
I'm a relatively new convert to doom. I used to only consider heavy music if it was fast. The two were entwined in my mind. I didn't even find merit in slower songs by bands I did like. But tastes change with age, and maturity can bring a new appreciation for things that youth disregards. While I'm still not eating brussel sprouts, I now enjoy the slower side of heavy. Some things never change though. I'll always look for the most extreme version of the music I like, and I'll never vote Tory. Fitting then, that in searching for the heaviest, slowest modern band, I found one who likely also will never vote conservative. Bury Me Beneath This Rotting Earth is the 4th full-length from New England duo Body Void, their debut for Prosthetic Records, and their most disgusting to date. I mean that in the best way possible. Comprised of four tracks and sitting at just over 50 minutes, Bury Me... is longer, and as a result, more punishing than 2019's You Will Know The Fe...
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